Tuesday, December 27, 2016
The Politics of Convicting a Guilty Man
political science and crime, as well as media and crime, have direct personal effects on how crime is dealt with and how untold of it is re all toldy reported to the public. The injury of man and of his decisions is an inevitability for which orderliness has had to make allowances. Due to this customary imperfection, humanity, by necessity, has acquired a permissiveness for the accidental and imprudent. Thankfully, these indiscretions and lapses of good head atomic number 18 typically minor, without long or signifi crappert consequences. However, when public men and women, subject to bias, prejudice, and all other human failings, argon charged with the extraordinary business of issuing an acquittal or condemnation, the slightest error can melt the greatest of consequences. To insure the arbiter of trial, verdict and sentence, the American rightness system is pressured to desire upon the judgment of the common man. Unfortunately, this corresponding trial system of ju stice can turn arbitrary, and can be manipulated to allow wrong citizens the sweet air of freedom while delivering the innocent into the iciness hands of death and confinement. \n sooner a suspect is brought into the courtroom, he must undergo the perils of judgment by the Executive offsets law enforcement. The index of the Executive branch rests completely on physical force and the threat of harm. Due to this, practice of law officers often substitute mistrust for logic, and forcefulness for calm reason. Results of this take on racial profiling and unnecessary brutality against minorities. In Ernest Gaines Lesson Upon Dying, the barren Jefferson is an innocent bystander in the eat up of a white hard drink store owner. The possibility of capital of Mississippi being completely separated in the crime is neer even explored. This is represented by the opening scene, which has Jefferson on trial, discarding all mention of his apprehension. The police officers are merely referred to merely as two white men, and once mentioned the scene ...
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